

{"id":2130,"date":"2025-06-30T14:14:19","date_gmt":"2025-06-30T17:14:19","guid":{"rendered":"http:\/\/taigafilmes.com\/site\/?page_id=2130"},"modified":"2025-10-30T14:41:05","modified_gmt":"2025-10-30T17:41:05","slug":"2130-2","status":"publish","type":"page","link":"http:\/\/taigafilmes.com\/site\/2130-2\/","title":{"rendered":""},"content":{"rendered":"<div id=\"pl-2130\"  class=\"panel-layout\" ><div id=\"pg-2130-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-2130-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-2130-0-0-0\" class=\"so-panel widget widget_media_image panel-first-child\" data-index=\"0\" ><img width=\"210\" height=\"300\" src=\"http:\/\/taigafilmes.com\/site\/wp-content\/uploads\/2025\/06\/CartazMostra-210x300.jpg\" class=\"image wp-image-2119  attachment-medium size-medium\" alt=\"\" decoding=\"async\" loading=\"lazy\" style=\"max-width: 100%; height: auto;\" srcset=\"http:\/\/taigafilmes.com\/site\/wp-content\/uploads\/2025\/06\/CartazMostra-210x300.jpg 210w, http:\/\/taigafilmes.com\/site\/wp-content\/uploads\/2025\/06\/CartazMostra.jpg 298w\" sizes=\"(max-width: 210px) 100vw, 210px\" \/><\/div><div id=\"panel-2130-0-0-1\" class=\"so-panel widget widget_text panel-last-child\" data-index=\"1\" >\t\t\t<div class=\"textwidget\"><p><a href=\"http:\/\/taigafilmes.com\/site\/wp-content\/uploads\/2025\/06\/Taiga_Catalogo_Cinema-de-resistencia_versao-digital.pdf\">Cat\u00e1logo_Cinema de resist\u00eancia<\/a><\/p>\n<\/div>\n\t\t<\/div><\/div><div id=\"pgc-2130-0-1\"  class=\"panel-grid-cell\" ><div id=\"panel-2130-0-1-0\" class=\"so-panel widget widget_text panel-first-child panel-last-child\" data-index=\"2\" >\t\t\t<div class=\"textwidget\"><p>In June 2025, Banco do Brasil presented and sponsored the exhibition \u201c<strong>Cinema de Resist\u00eancia: um olhar sobre o Brasil invis\u00edvel<\/strong>\u201d (Cinema of Resistance: a look at the invisible Brazil), which highlighted the aesthetic and political strength of L\u00facia Murat\u2019s work. The exhibition proposed an invitation to reflection through a language that dialogues with theater, dance and visual arts, and intertwines memories, experiences, fiction and historical reality. Four debates were held in Rio and four in S\u00e3o Paulo; see the YouTube links to the debates below. OPENING IN RJ.<\/p>\n<p><strong>Opening RJ<\/strong><br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=E_HvS0UqvMY\">https:\/\/www.youtube.com\/watch?v=E_HvS0UqvMY<\/a><\/p>\n<p><strong>28\/05<\/strong>\u00a0 \u2013 The opening debate of the exhibition CINEMA DE RESIST\u00caNCIA &#8211; Um olhar sobre o Brasil invis\u00edel at the CCBB in Rio de Janeiro took place on May 28th and had the theme Dictatorship and Memory. The participants in the panel were filmmaker Lucia Murat, historians Jessie Jane and Dulce Pandolfi and the exhibition curator, Denise Lopes. The debate was moderated by journalist Ancelmo G\u00f3is.<\/p>\n<p><strong>Opening SP<\/strong><\/p>\n<div><a href=\"https:\/\/www.youtube.com\/watch?v=1QsB48mn7RU\">https:\/\/www.youtube.com\/watch?v=1QsB48mn7RU<\/a><br \/>\n<strong>04\/06<\/strong> \u2013 The opening debate took place at the CCBB in S\u00e3o Paulo on June 4, also with the theme of the first module of the exhibition: Dictatorship and Memory. The opening panel included filmmaker Lucia Murat, journalist, writer and activist Amelinha Teles and filmmaker Tata Amaral. Journalist and film critic Luiz Carlos Merten moderated the debate<\/p>\n<div>\n<div>\n<div><strong>Original Peoples &#8211; RJ<\/strong><\/div>\n<\/div>\n<div>\n<p><a href=\"https:\/\/vimeo.com\/1097860728\">https:\/\/vimeo.com\/1097860728<\/a><\/p>\n<div><strong>Original Peoples &#8211; SP<\/strong><\/div>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=cwEu3a0vdaM&amp;t=2s\">https:\/\/www.youtube.com\/watch?v=cwEu3a0vdaM&amp;t=2s<\/a><\/p>\n<div>\n<div><strong>15\/06 \u2013 <\/strong>At CCBB, S\u00e3o Paulo. Lucia Murat, Betty Mindlin, Lucia Helena Vitelle Rangel, Dilmar Puri. Andr\u00e9 Lopes mediated the debate.<\/div>\n<\/div>\n<\/div>\n<div>\n<div>\n<div>\n<strong>Women&#8217;s Issues &#8211;\u00a0 RJ<\/strong><\/div>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=mJ0YxNyCRUg&amp;t=207s\">https:\/\/www.youtube.com\/watch?v=mJ0YxNyCRUg&amp;t=207s<\/a><\/p>\n<div>\n<div><strong>15\/06 \u2013 <\/strong>At CCBB, Rio de Janeiro. Filmmaker Lucia Murat, Luciana Bezerra and Jacqueline Pitanguy participated in the panel, with mediation by Denise Lopes.<\/div>\n<div><\/div>\n<\/div>\n<div>\n<div><strong>Women&#8217;s Issues &#8211;\u00a0 SP<\/strong><\/div>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=CRztkjs6OKQ\">https:\/\/www.youtube.com\/watch?v=CRztkjs6OKQ<\/a><\/p>\n<div>\n<div><strong>22\/06 \u2013 <\/strong>At CCBB, S\u00e3o Paulo. Beatriz Bracher, Yara Frateschi, Lucia Murat moderated the debate.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div>\n<div><\/div>\n<\/div>\n<div>\n<div>\n<div><strong>Inequalities &#8211; RJ<\/strong><\/div>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=VvYjz3ix3uo\">https:\/\/www.youtube.com\/watch?v=VvYjz3ix3uo<\/a><\/div>\n<div>\n<div>\n<div>\n<p><strong>21\/06 \u2013 <\/strong>At CCBB do Rio de Janeiro. Lucia Murat, Luiz Fernando Gallego, Babu Santana, Leandra Miranda. Denise Lopes mediated the debate.<\/p>\n<\/div>\n<\/div>\n<div><strong>Inequalities SP<\/strong><br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=BOH2TRUe8n8\">https:\/\/www.youtube.com\/watch?v=BOH2TRUe8n8<\/a><br \/>\n<strong>29\/06 \u2013 <\/strong>No CCBB de S\u00e3o Paulo, participaram a mesa Marisa Orth, Lucilene Reginaldo. Media\u00e7\u00e3o: Lucia Murat<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\t\t<\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Cat\u00e1logo_Cinema de resist\u00eancia In June 2025, Banco do Brasil presented and sponsored the exhibition \u201cCinema de Resist\u00eancia: um olhar sobre o Brasil invis\u00edvel\u201d (Cinema of Resistance: a look at the invisible Brazil), which highlighted the aesthetic and political strength of L\u00facia Murat\u2019s work. The exhibition proposed an invitation to reflection through a language that dialogues [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/template-full.php","meta":[],"_links":{"self":[{"href":"http:\/\/taigafilmes.com\/site\/wp-json\/wp\/v2\/pages\/2130"}],"collection":[{"href":"http:\/\/taigafilmes.com\/site\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/taigafilmes.com\/site\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/taigafilmes.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/taigafilmes.com\/site\/wp-json\/wp\/v2\/comments?post=2130"}],"version-history":[{"count":24,"href":"http:\/\/taigafilmes.com\/site\/wp-json\/wp\/v2\/pages\/2130\/revisions"}],"predecessor-version":[{"id":2216,"href":"http:\/\/taigafilmes.com\/site\/wp-json\/wp\/v2\/pages\/2130\/revisions\/2216"}],"wp:attachment":[{"href":"http:\/\/taigafilmes.com\/site\/wp-json\/wp\/v2\/media?parent=2130"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}