

{"id":380,"date":"2015-06-22T12:26:34","date_gmt":"2015-06-22T15:26:34","guid":{"rendered":"http:\/\/taigafilmes.com\/wp\/?page_id=380"},"modified":"2018-02-28T12:17:08","modified_gmt":"2018-02-28T15:17:08","slug":"in-three-acts","status":"publish","type":"page","link":"http:\/\/taigafilmes.com\/site\/films-in-progress\/in-three-acts\/","title":{"rendered":"In three acts"},"content":{"rendered":"<div id=\"pl-380\"  class=\"panel-layout\" ><div id=\"pg-380-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-380-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-380-0-0-0\" class=\"so-panel widget widget_black-studio-tinymce widget_black_studio_tinymce panel-first-child panel-last-child\" data-index=\"0\" ><div class=\"textwidget\"><p><img class=\"alignnone wp-image-180 size-full\" src=\"http:\/\/taigafilmes.com\/site\/wp-content\/uploads\/2015\/05\/EmTresAtos_AngelViana1.jpg\" alt=\"EmTresAtos_AngelViana\" width=\"1100\" height=\"619\" \/><\/p>\n<p>\"In three acts\" is inserted in the frame of a film between fiction and non-fiction, a proposal of poetic essay that has been exploding in the world cinema. The increasingly tenuous limit between fiction and documentary has allowed one to work without preconceived frames.<\/p>\n<p>The film deals with finitude and continuity, old age and youth working with the body, through contemporary dance and with the word, in texts by Simone de Beauvoir.<\/p>\n<p>The dance, choreographed by Jo\u00e3o Saldanha, is at the same time a tribute to Angel Vianna, an icon of contemporary Brazilian dance, who participated in the film at age 85.<\/p>\n<p>Angel dances with Maria Alice Poppe, his former student, who is at the height of his vigor. To this dance performance, which makes a counterpoint without clich\u00e9s between these two bodies, is added the texts of Simone de Beauvoir interpreted by Nathalia Timberg and Andrea Beltr\u00e3o. These texts are freely inspired by interviews of the author, in the books \"The oldness\" and \"A very sweet death\", in which the writer wrote on the death of the mother.<\/p>\n<p>Held in partnership with TSProductions, with whom Taiga has already co-produced \"Quase Dois Irm\u00e3os\", the film has the French support of Milena Poylo and Gilles Sacoud.<\/p>\n<p><a href=\"http:\/\/www.taigafilmes.com\/emtresatos\/index.html\">For more information visit the movie website\u00a0\u00bb<\/a><\/p>\n<\/div><\/div><\/div><div id=\"pgc-380-0-1\"  class=\"panel-grid-cell\" ><div id=\"panel-380-0-1-0\" class=\"so-panel widget widget_black-studio-tinymce widget_black_studio_tinymce panel-first-child panel-last-child\" data-index=\"1\" ><div class=\"textwidget\"><h4>Cr\u00e9ditos<\/h4>\n<p>Actors: Angel Vianna, Nathalia Tilmberg, Maria Alice Poppe e Andr\u00e9a Beltr\u00e3o<\/p>\n<p>Screen play and direction: Lucia Murat<br \/>\nBased on\u00a0Simone de Beauvoir's texts<br \/>\nAnd on the play\u00a0\u201cQualquer coisa a gente muda\u201d<br \/>\nChoreography: Jo\u00e3o Saldanha<br \/>\nProduction: Lucia Murat, Milena Poylo, Gilles Sacuto, Celine Loiseau<br \/>\nPhotography diretor: Dudu Miranda<br \/>\nArt Director: Cedric Aveline<br \/>\nEditing: Mair Tavares e Marih Oliveira<br \/>\nSound track: Sacha Amback<br \/>\nSound edition: Simone Petrillo<br \/>\nDirect sound: Jose Moreau Louzeiro<br \/>\nMixing: Emmanuel Croset<br \/>\nColor retouching: Fabio Souza<br \/>\nCo-production: TS Productions<\/p>\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>&#8220;In three acts&#8221; is inserted in the frame of a film between fiction and non-fiction, a proposal of poetic essay that has been exploding in the world cinema. The increasingly tenuous limit between fiction and documentary has allowed one to work without preconceived frames. The film deals with finitude and continuity, old age and youth [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":360,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/template-full.php","meta":[],"_links":{"self":[{"href":"http:\/\/taigafilmes.com\/site\/wp-json\/wp\/v2\/pages\/380"}],"collection":[{"href":"http:\/\/taigafilmes.com\/site\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/taigafilmes.com\/site\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/taigafilmes.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/taigafilmes.com\/site\/wp-json\/wp\/v2\/comments?post=380"}],"version-history":[{"count":14,"href":"http:\/\/taigafilmes.com\/site\/wp-json\/wp\/v2\/pages\/380\/revisions"}],"predecessor-version":[{"id":1589,"href":"http:\/\/taigafilmes.com\/site\/wp-json\/wp\/v2\/pages\/380\/revisions\/1589"}],"up":[{"embeddable":true,"href":"http:\/\/taigafilmes.com\/site\/wp-json\/wp\/v2\/pages\/360"}],"wp:attachment":[{"href":"http:\/\/taigafilmes.com\/site\/wp-json\/wp\/v2\/media?parent=380"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}