The word 'feminism' was not well accepted in the 80s in Argentina

There was also these letters, which I showed you, right?

Women here, rather than being feminists (...) they had a very strong level of assertion, and it was politically strong.

Ana felt some kind of melancholy. She suffered a lot in her life but she still kept a utopian view of the world.

Can you imagine a 12 year old girl from a traditional family with a gay couple in a cafeteria where Pancho Villa had been to?

Ana was young, passionate. That's what Antonia used to say.

The dictatorship never stopped happening to us [to the black people], it's still here today.

And these bold, strong, brave women who broke up with everything ― many of them wore masks so that their families would not know they were fighting ― they give me a different conception of what being a woman is.

From the information I have, Ana was a student who was always trying to break the rules, overcome the limits, go beyond the boundaries.

As a 20th century artist, my mother [Kati Horna], in my view, has a virtue that is her great knowledge, which combines a great technique, with a special perspective.

The bad thing is when you meet someone, when they are right in front of you and you don't ask enough questions.

And I suppose there are people who, just act like that, hurting people, when they see their ideas, their ideology threatened.

My stories haunt me, they are always the same as in the past, or they are simply replaying today?

I have a feeling that the lost talent is in the dead, in our dead.

We have hope in this youth. I hope they know where to go, for the good of all.